Wednesday, September 8, 2010
 
RIA Novosti
The MoscowTimes
CDI

Reading, Writing and Publishing
Living by the Book

“What are you reading now?” used to be as commonplace a question as “how are you?” To a Soviet citizen, a book was never just a way to while away time—it was a guide to which people turned for answers to existential questions about the meaning of life. Writers were not simply authors, but moral authorities, and their books were precious objects of a highly symbolic status.

Since the breakup of the Soviet Union, literature has lost this status, and the ardent reader has lost his zeal. Like all things mass-produced for a profit, the quality of most books has plummeted to the lowest common denominator, the level fit for mass appeal. More books are being published in contemporary Russia than ever before, but complex literature is out of favor and publishers strive to cater to the public’s tastes: food for thought has been replaced with “chewing gum for the mind” - mysteries, romances, and adventure stories.

Another reason why Russians are no longer the most reading nation in the world is that there are ever fewer of them. The country’s demographic crisis has taken its toll, and so have varying book prices—in many corners of Russia, the library is the only affordable option. But inflated book prices do not make writing a lucrative profession. Increased consolidation that has narrowed the market down to two publishing giants means that there are few venues for writers to turn to, especially for beginners and young authors who require promotional investment. Honorariums are too small to feed a family. So why bother writing anything at all?

Today, those who write seem to be those who simply can’t help but write, and those who read high-quality literature are those who can’t do without it. New technology is bound to sooner or later computerize the literary milieu, but reading as an activity still needs encouragement. Whether virtual or real-life, publishing, writing, and reading are all in dire need of state support: tax breaks for publishers, stepping stones for writers, and a national policy of supporting libraries and promoting reading for the end users.


Business of Letters

By Roland Oliphant, Russia Profile
October 7, 2009
Statistics show that the Russian book mMarket is growing while the number of consumers is shrinking. Although Russians are still ranked as one of the most literate nations in the world, ever fewer of them actually buy books.

A Love-Hate Relationship

Comment by Alexander Arkhangelsky, Special to Russia Profile
October 7, 2009
The majority of Russian authors do not make their living writing books. But this is bound to change within the next ten years, when the printing press will no longer be the backbone of a transformed publishing industry.

Getting the Industry Together

By Albina Kovalyova, Russia Profile
October 6, 2009
Discussions at this year’s book fair centered around the future of electronic books. But if the event itself was any indication, Russia’s attempts at embracing new technology are doomed to be marred by ubiquitous organizational problems.

Picturing the Reader

By Elena Rubinova, Special to Russia Profile
October 6, 2009
Russians are no longer the most reading nation in the world. Is this change in numbers indicative of a complete loss of interest in books, or of a shift to other means of acquiring information?

Where Is the Audience?

By Dmitry Babich, Special to Russia Profile
October 6, 2009
There is no room for intellectually challenging books in today’s market-oriented society. Contemporary writers are forced to chase their readers, jostling for attention and catering to the mass consumer’s tastes.

Recompense for Talent

By Albina Kovalyova, Russia Profile
October 6, 2009
For Russian writers, receiving one of the myriad of literary awards is a true honor. However, with few exceptions, these prizes hardly translate into material gain for the author.

The Most Veritable Danger

Interview by Alyona Dushka and Andrei Zolotov, Russia Profile
October 5, 2009
Mass-produced science fiction literature has degraded into a trivial genre. Yet this doesn’t mean that there is no interest in Russian books on behalf of a foreign audience.

The Plea of the Nameless

By Roland Oliphant, Russia Profile
October 5, 2009
In contemporary Russia, beginning writers have very few ways of letting their voices be heard. So what does it take to make it big in today’s book world?

The Voice of the Few

By Dmitry Babich, Russia Profile
October 5, 2009
Russian minority writers create an alternative, fictional universe. But their dark and troubled world appears to be firmly rooted in present-day reality.

Modern Literature Refines

Comment by Alexei Pankin, Special to Russia Profile
October 5, 2009
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Other stories:

Russian Soul (Issue 3, Summer 2010)
Evolution of the Homo Sovieticus
An Exercise in Disbelief
Pseudoscientific Genius
Demanding a Miracle
A Superfluous Instrument
Pulp Friction
Chained to the Land
Pining for a Pampered Past
Wanted: a Dictator
Heartfelt Business

East and Central Europe (Issue 2, Spring 2010)
Irreversible Immorality
Long Lost Brotherhood
A Language in Flux
The Old New Player
Nonaggressive Integration
A Tug-of-War in Europe
Nationality: Paranoid
Armed and Dangerous
Rough Trade
Remapping the Nuclear Grid

U.S.-Russian Relations (Issue 1, Winter 2010)
The Russian That Is Not American
Reset, Committee Style
Grand Theft Bargain
What Was Soviet Is Mine
My War, Your War
Economic Casual Dating
Swords Made of Pipelines
From Revolt to Gaga
Hollywood’s Best Villain
Overstated Prejudice